Books by the Sea

An epic account of the decades-long battle to control what has emerged as the world's most critical resource—microchip technology—with the United States and China increasingly in conflict.

You may be surprised to learn that microchips are the new oil—the scarce resource on which the modern world depends. Today, military, economic, and geopolitical power are built on a foundation of computer chips. Virtually everything—from missiles to microwaves, smartphones to the stock market—runs on chips. Until recently, America designed and built the fastest chips and maintained its lead as the #1 superpower. Now, America's edge is slipping, undermined by competitors in Taiwan, Korea, Europe, and, above all, China. Today, as Chip War reveals, China, which spends more money each year importing chips than it spends importing oil, is pouring billions into a chip-building initiative to catch up to the US. At stake is America's military superiority and economic prosperity.

Economic historian Chris Miller explains how the semiconductor came to play a critical role in modern life and how the U.S. become dominant in chip design and manufacturing and applied this technology to military systems. America's victory in the Cold War and its global military dominance stems from its ability to harness computing power more effectively than any other power. But here, too, China is catching up, with its chip-building ambitions and military modernization going hand in hand. America has let key components of the chip-building process slip out of its grasp, contributing not only to a worldwide chip shortage but also a new Cold War with a superpower adversary that is desperate to bridge the gap.

Illuminating, timely, and fascinating, Chip War shows that, to make sense of the current state of politics, economics, and technology, we must first understand the vital role played by chips.

A Best Book of the Year: The New York Times Book Review, NPR, Time, The Financial Times, The Chicago Public Library, Kirkus

A Notable Book of the Year at The Washington Post
A Best Book of the Year (So Far) at The New Yorker, The BBC, Vulture, CrimeReads
A Barack Obama Summer Reading Pick

“[A] savagely satirical thriller.” —People

The Booker Prize–winning author of The Luminaries brings us Birnam Wood, a gripping thriller of high drama and kaleidoscopic insight into what drives us to survive.

Birnam Wood is on the move . . .

A landslide has closed the Korowai Pass on New Zealand’s South Island, cutting off the town of Thorndike and leaving a sizable farm abandoned. The disaster presents an opportunity for Birnam Wood, an undeclared, unregulated, sometimes-criminal, sometimes-philanthropic guerrilla gardening collective that plants crops wherever no one will notice. For years, the group has struggled to break even. To occupy the farm at Thorndike would mean a shot at solvency at last.

But the enigmatic American billionaire Robert Lemoine also has an interest in the place: he has snatched it up to build his end-times bunker, or so he tells Birnam’s founder, Mira, when he catches her on the property. He’s intrigued by Mira, and by Birnam Wood; although they’re poles apart politically, it seems Lemoine and the group might have enemies in common. But can Birnam trust him? And, as their ideals and ideologies are tested, can they trust one another?

A gripping psychological thriller from the Booker Prize–winning author of The Luminaries, Eleanor Catton’s Birnam Wood is Shakespearean in its drama, Austenian in its wit, and, like both influences, fascinated by what makes us who we are. A brilliantly constructed study of intentions, actions, and consequences, it is a mesmerizing, unflinching consideration of the human impulse to ensure our own survival.

The acclaimed artist Brom brilliantly displays his multiple extraordinary talents in The Child Thief—a spellbinding re-imagining of the beloved Peter Pan story that carries readers through the perilous mist separating our world from the realm of Faerie. As Gregory Maguire did with his New York Times bestselling Wicked novels, Brom takes a classic children’s tale and turns it inside-out, painting a Neverland that, like Maguire’s Oz, is darker, richer, more complex than innocent world J.M. Barrie originally conceived. An ingeniously executed literary feat, illustrated with Brom’s sumptuous artwork, The Child Thief is contemporary fantasy at its finest—casting Peter Pan, the Lost Boys, even Captain Hook and his crew in a breathtaking new light.