Middle Aged Women's Punk Rock Book Club Meetup

At the meeting, we'll discuss whether we want to read Monsters: A Fan's Dilemma by Claire Dederer or Sociopath: A Memoir by Patric Gagine for February's meeting, so come with an opinion.

Hello! This book won our poll for our January pick!

FINALIST FOR THE 2024 NATIONAL BOOK AWARD IN FICTION
AN INSTANT NEW YORK TIMES BESTSELLER

The New York Times bestselling author returns with an irreverently sexy, tender, hilarious and surprising novel about a woman upending her life

“A frank novel about a midlife awakening, which is funnier and more boldly human than you ever quite expect . . . nothing short of riveting.” —Vogue

“All Fours has spurred a whisper network of women fantasizing about desire and freedom. . . . It’s the talk of every group text."—The New York Times

“All Fours possessed me. I picked it up and neglected my life until the last page, and then I started begging every woman I know to read it as soon as possible.”—The Cut

“A novel that presses into that tender bruise about the anxiety of aging, of what it means to have a female body that is aging, and wanting the freedom to live a fuller life . . . Deeply funny and achingly true.” —LA Times

“July’s novel is hot and weird and captivating and one of the most entertaining, deranged, and moving depictions of lust and romantic mania I’ve ever read.” —New York Magazine

A semi-famous artist announces her plan to drive cross-country, from LA to NY. Thirty minutes after leaving her husband and child at home, she spontaneously exits the freeway, checks into a nondescript motel, and immerses herself in an entirely different journey.

Miranda July’s second novel confirms the brilliance of her unique approach to fiction. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman. Once again, July hijacks the familiar and turns it into something new and thrillingly, profoundly alive.

Join us to discuss Monsters by Claire Dederer at Nicholas on Madison.

A NEW YORK TIMES NOTABLE BOOK • NATIONAL BESTSELLER • A timely, passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of cancel culture, and of the link between genius and monstrosity. Can we love the work of controversial classic and contemporary artists but dislike the artist?

"A lively, personal exploration of how one might think about the art of those who do bad things" —Vanity Fair • "[Dederer] breaks new ground, making a complex cultural conversation feel brand new." —Ada Calhoun, author of Also a Poet
From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, Monsters is “part memoir, part treatise, and all treat” (The New York Times). This unflinching, deeply personal book expands on Claire Dederer’s instantly viral Paris Review essay, "What Do We Do with the Art of Monstrous Men?"
Can we love the work of artists such as Hemingway, Sylvia Plath, Miles Davis, Polanski, or Picasso? Should we? Dederer explores the audience's relationship with artists from Michael Jackson to Virginia Woolf, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? Is male monstrosity the same as female monstrosity? And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. Does genius deserve special dispensation? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss?
Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.

“Monsters leaves us with Dederer’s passionate commitment to the artists whose work most matters to her, and a framework to address these questions about the artists who matter most to us." —The Washington Post

A Best Book of the Year: The New York Times, NPR, The Washington Post, The New Yorker, Vulture, Elle, Esquire, Kirkus