The Next 100 Books

From activist, Pussy Riot member and freedom fighter Maria Alyokhina, a raw, hallucinatory, passionate account of her arrest, trial and imprisonment in Siberian jail for standing up for what she believed in.

''One of the most brilliant and inspiring things I've read in years. Couldn't put it down. This book is freedom'' Chris Kraus, author of I Love Dick

''A women's prison memoir like no other! One tough cookie!'' Margaret Atwood

''Once you begin reading, you are completely disarmed, unable to put it down until the last page'' Marina Abramovic

People who believe in freedom and democracy think it will exist forever.

That is a mistake. What happened in Russia - what happened to me - could happen anywhere.

When I was jailed for political protest, I learned that prison doesn't just teach you to follow the rules. It teaches you to think that you can never break them.

It's inevitable that the prison gates will open at some point. But this doesn't mean that you leave the ''prisoner'' category and go straight into the category of ''the free''.

Freedom does not exist unless you fight for it every day.

This is the story about how I made a choice.

Legendary filmmaker and celebrated author Werner Herzog tells in his inimitable voice the story of his epic artistic career in a long-awaited memoir that is as inventive and daring as anything he has done before.

Werner Herzog was born in September 1942 in Munich, Germany, at a turning point in the Second World War. Soon Germany would be defeated and a new world would have to be made out the rubble and horrors of the war. Fleeing the Allied bombing raids, Herzog’s mother took him and his older brother to a remote, rustic part of Bavaria where he would spend much of his childhood hungry, without running water, in deep poverty. It was there, as the new postwar order was emerging, that one of the most visionary filmmakers of the next seven decades was formed.

Until age 11, Herzog did not even know of the existence of cinema. His interest in films began at age 15, but since no one was willing to finance them, he worked the night shift as a welder in a steel factory. He started to travel on foot. He made his first phone call at age 17, and his first film in 1961 at age 19. The wildly productive working life that followed—spanning the seven continents and encompassing both documentary and fiction—was an adventure as grand and otherworldly as any depicted in his many classic films.

Every Man for Himself and God Against All is at once a personal record of one of the great and self-invented lives of our time, and a singular literary masterpiece that will enthrall fans old and new alike. In a hypnotic swirl of memory, Herzog untangles and relives his most important experiences and inspirations, telling his story for the first and only time.

A “linguist-traveler” arrives by plane to Ravicka, a city of yellow air in which an undefined crisis is causing the inhabitants to flee. Although fluent in the native language, she quickly finds herself on the outside of every experience. Things happen to her, events transpire, but it is as if the city itself, the performance of life there, eludes her. Setting out to uncover the source of the city’s erosion, she is beset by this other crisis—an ontological crisis—as she struggles to retain a sense of what is happening.

Event Factory is the first in a series of novels (also available are the second, The Ravickians; the third, Ana Patova Crosses a Bridge; and the fourth, Houses of Ravicka) that Renee Gladman is writing about the invented city-state of Ravicka, a foreign “other” place fraught with the crises of American urban experience, not least the fundamental problem of how to move through the world at all.

Neoliberals should have seen the end of the Cold War as a total victory—but they didn’t. Instead, they saw the chameleon of communism changing colors from red to green. The poison of civil rights, feminism, and environmentalism ran through the veins of the body politic and they needed an antidote.

To defy demands for equality, many neoliberals turned to nature. Race, intelligence, territory, and precious metal would be bulwarks against progressive politics. Reading and misreading the writings of their sages, Friedrich Hayek and Ludwig von Mises, they articulated a philosophy of three hards—hardwired human nature, hard borders, and hard money—and forged the alliances with racial psychologists, neoconfederates, ethnonationalists, and goldbugs that would become known as the alt-right.

Following Hayek’s bastards from Murray Rothbard to Charles Murray to Javier Milei, we find that key strains of the Far Right emerged within the neoliberal intellectual movement not against it. What has been reported as an ideological backlash against neoliberal globalization in recent years is often more of a frontlash. This history of ideas shows us that the reported clash of opposites is more like a family feud.